An Ongoing Artistic Research
For more than two decades, my artistic practice has unfolded through interconnected lines of research. Rather than isolated projects, these bodies of work investigate different dimensions of the same question: how can art expand perception and generate new forms of knowledge?
Colour, the imaginal, living matter, synaesthesia and nature are not separate subjects, but interconnected territories within a continuously evolving artistic ecosystem. Each research area develops its own language while remaining part of a broader exploration of perception, transformation and experience.
Every research begins with a question. Every artwork is a possible answer.
RESEARCH FIELDS
THE IMAGINARY OF THE CITY IN THE CINEMA: 8 PLACES–NON-PLACES OF REVERIE
Conceived in 1990, this research questioned the reassuring images of architectural representation and explored cinema, changing scales and the imaginary as instruments for rethinking the complexity of urban space.
THE IMAGINED BODY– the foundational research
Art, biology and the imaginal.
METABIOLOGIES
Colour as living matter.
COSMIC NARCISSUS
Portraits beyond representation.
COLOUR
THE INNER COLOUR
Inner Cartographies. A visual atlas of colour.
CHROMATIC PORTRAITS
Colour as identity, memory and emotional landscape.
COLOUR AND SOUND
Chromatic Resonances.
GREEN DUETS
Creative Insomnia – Green Nights. Dialogues on the many meanings of green.
PERCEPTION & VIBRATIONS
CYMATICS
SYNAESTHESIA
When colour becomes sound, fragrance and multisensory experience.
CURRENT COLLECTIONS
THE INNER COLOUR
GEMSTONES – An Atlas of Gemstones
PINACOTHÈQUE STELLAIRE – DE-SIDERA
PERSONAL CONSTELLATIONS
CHROMATIC LANDSCAPES – LIGHT BOXES
RESEARCH IN PRACTICE
CHROMATIC NARRATIVES
ART NATURE & HEALTH
